The idea of Iranian night was proposed at the beginning of 1987 by the artistic director of Yarava music group, and after making the necessary plans, three different programs were planned for 1987. The purpose of performing Iranian night concerts is to honor the work and artistic status of the Iranian composer in a society that is less important and the Yarava group without prejudice to a particular school of different composers at different levels and different generations and with tastes and ideas. Gonguni performed different works and the only common denominator of these works was their inclusion in the repertoire of contemporary music or in other words modern music. Iranian Night One concert was dedicated to Mehdi Jalali’s guitar recital in the private hall of Niavaran Palace on 31 June, in which works by Shahrokh Khajeh Nouri, Babak Al Haidar, Mehdi Jalali, Behrouz Rahmani, Abolfazl Rahbarian and Arsalan Abedian were performed for cello. Income. In this concert, in addition to the performance of works by modern Iranian composers, all of which were performed for the first time except for one piece, handmade instruments by Iranian artists Rahim Gholami and Hossein Soltanzadeh were used in the performance of the program, and two-part guitars. Classical – Acoustic Soltanzadeh was also introduced in this program. The Persian Night 2 concert was dedicated to the 11th and 12th of October in the main hall of Niavaran Cultural Center with the performance of two cello piano pieces by Parisa Golshan and 6 orchestral works performed by the Yarava Modern Orchestra led by Mehdi Jalali. One of the main points of this concert is the variety and difference between the pieces (such as guitar recitals). In this program, 3 pieces were performed for the first time. In the concert of Shab Irani Do, works by Alireza Mashayekhi, Shahrokh Khajeh Nouri, Kiavash Sahib Nasaq, Azad Hakim Rabat, Babak Al Haidar, Arsalan Abedian and Mehdi Jalali were performed. Laia Etemadi solo was performed, no standard instrument was used in Khajeh Nouri’s piece, and the composer used tools, various instruments and non-standard instruments in creating the work, and the owner of the piece also gave his piece called “F” to the composer. The great Iranian had dedicated Fawzia Majd. The next concert, which was called Iranian Night 3 and was the last Iranian night program of Yarava Band in 1987, took place on November 8, in the corner hall of Niavaran Cultural Center (the first concert in this hall) and performed works in a smaller volume (solo or group works). Small) was held by Shahrokh Khajeh Nouri, Kiavash Sahib Nasaq, Babak Al Haidar, Arsalan Abedian, Ardeshir Jafreh and Mehdi Jalali. In this program, all works (9 pieces) were performed for the first time. Iranian Night 4 was another attempt to achieve the goals of the Yarava band. This program was held on 8/8/88 at 8 pm with the performance of works by 8 composers (Khajeh Nouri, Saheb Nasaq, Hakim Rabit, Rahbarian, Abedian, Sedaghat Kish, Shabani and Jalali) and the performance of 8 musicians at Hengam Music Training Center. . It should be noted that Yarava group has performed works by 12 modern Iranian composers in these programs and also introduced composers such as Abolfazl Rahbarian, Arsalan Abedian, Ardeshir Jafreh, etc. to the Iranian music community for the first time and During these programs, he has performed 34 works, out of which 25 works have been performed for the first time, and under the pretext of performing these concerts, 17 works from the works performed in these programs have been written by the order of Yarava Music Group. .
